Late Show News September 17, 1996
LATE SHOW NEWS
by Aaron Barnhart
September 17, 1996
Issue 125: Rosie gets pranked
1-800-U-FAT-PIG
If the most awkward talk-show event of 1994 was David
Letterman's interview of Madonna, and 1995's was the
"lesbian kiss" appearance of Howard Stern on The Tonight
Show with a peeved Jay Leno, then the most awkward
talk-show event of 1996 -- with the possible exception
of every broadcast of Caryl & Marilyn: Real Friends
-- probably belongs to The Rosie O'Donnell Show broadcast
that aired last Tuesday.
On Monday, Mayor Ed Rendell of Philadelphia was in the
audience, part of an hourlong celebration of the show's
upgrade to 11 a.m. on that city's WPVI-TV (where it had
formerly been in the middle of the night). The next day,
as O'Donnell opened the show, she was informed that she
had a caller: Mayor Rendell phoning in from Philly,
apparently with some subsequent good wishes. What happened
next was heard only by affiliates with a live (10 a.m.
Eastern) feed of the program; everyone else heard a
hastily-done edited version, wherein the caller's comments
were bleeped entirely and a small box at the bottom covered
up the original chyron ("On the Phone: ED RENDELL") with
the words "CRANK CALL." Here's what was said:
ROSIE: Okay, who's on the phone, hello phone person?
CALLER: (Mr. Suave voice) Hellooo. Rosie, this is Mayor
Rendell.
ROSIE: Mayor Rendell from Philadelphia?
CALLER: Yes. (drops Suave) Howard Stern says you're a fat
pig, you know that?
ROSIE: Who did what?
CALLER: Howard Stern says you're a fat pig.
ROSIE: Oh. (adopts fake-bubbly manner) Really interesting.
Thanks for calling!
CALLER: You're welcome, you fat pig!
The prank caller, Tim Cipriano of Jersey City, N.J., is
better known to regular listeners of Howard Stern's
syndicated morning radio program as "Captain Janks, the
King of Pranks." I'm not sure if Janks is the one who
got through during CNN's live coverage of the 1994 L.A.
earthquake, but we do know he's the guy who got onto
Larry King's show and asked him, "Why can't you stay
married?" (To which a momentarily stunned King replied,
"I don't know.")
To say O'Donnell was wounded by Janks's call is putting
it mildly. Audible gasps could be heard from the Rosie
audience from the moment the prank began (possibly because
it had not yet registered with some audience members
that the person calling their beloved Rosie a fat pig
was not the mayor of Philadelphia). And although O'Donnell
gamely attempted a recovery, her jokes fell flat. The
show was still reeling from Janks's punch when it went
to a first commercial, although it did seem to have
recovered after the break. An audience member called
Stern's radio show the next morning to report that during
the time out, O'Donnell had gone off on executive producer
Daniel Kellison, who had ultimate responsibility for putting
the call through. And apparently someone in the O'Donnell
organization was upset enough to get the police to issue
a non-traffic citation to Janks, which he read over the
air to Stern the following day ("intent to cause public
inconvenience" was one of the charges).
Though the incident raised questions inside the Rosie
organization about who authorizes content to go over the
air, it also raised questions about Howard Stern's
less-than-glorious habit of encouraging his listeners to
prank the media and, while they're at it, invoke his
name during the prank.
I'm actually of two minds about this practice. I am no
fan of TV's obsession with reporting "breaking news,"
and find the prank calls a welcome subversive commentary
on the desperation of TV news departments to fill its
airtime with something, anything remotely resembling
substance. News competition, especially on the local level,
has gotten so intense that when an event is unfolding,
stations not only scramble to be the first on the air
with the story, they then compete to see which will be
the last station to resume its regular programming. A
game of chicken ensues, as stations try to pad the minutes
when absolutely nothing is happening, in the dim hope of
being the first to report a breaking development -- even
if that report is a rumor, a hint of things to come, or
an impromptu interview with an authority on the scene
who turns out to have nothing of importance to say.
On the night that TWA Flight 800 went down, all of the
New York stations broke in with special reports, and
coverage continued for several minutes before returning
to prime-time programs. Later, NBC 4 broke in again,
with what it thought was an exclusive: a telephone interview
with a Coast Guard official claiming to have information
on the downed airliner. Of course, it was a Stern listener,
and while one could definitely feel Chuck Scarborough's
pain as he realized, on camera, he'd been hoodwinked, it
is still a valid question whether we would be better
informed by an actual Coast Guard official on that phone
line. You didn't have to be a news director to know
that little solid information would be available from
the wreck until much later -- even a passenger list
takes time to compile. But all reason seems to go out
the window at NBC 4 and other stations when an "exclusive"
is on the line.
As Ted Koppel has noted, "live team coverage" creates an
atmosphere that encourages speculation and rumor-mongering.
It can even infect the supposedly more refined reporting
process, as when Tom Brokaw foolishly disclosed to Bob
Costas during NBC's Olympic broadcast that the FBI was
certainly going to arrest Richard Jewell in connection
with the Centennial Park bombing, and that they were
delaying only because they wanted to collect enough evidence
to make their case airtight. Former Labor Secretary Raymond
Donovan had to resign his office after corruption charges
were brought against him, charges amplified (but not
invented) in the media. Later, when he was acquitted of
all charges, Donovan famously asked where he should go
to get his reputation back. Should Richard Jewell ever
have a similar need, at least he knows where to start --
and if he has trouble getting through to Tom, perhaps
Captain Janks could give him some pointers.
But it's another matter entirely when pranking turns
personal. Stern keeps a small universe of feuds in
orbit, with celebrities ranging from O'Donnell and Larry
King to former pal Jerry Seinfeld. And he's not above
allowing Janks to extend the troublemaking beyond the
boundaries of his program, so long as the obligatory Howard
Stern mention is made. But Larry isn't Johnny; he doesn't
enjoy discussing his multiple marriages on the air, and
it shows. And while Rosie certainly doesn't hide the
fact that she's large, and makes the occasional amusing
reference to stores that carry clothing in her size, the
gratuitous insult rained down on her by Janks seemed
unusually harsh and a little misogynistic. All with the
approval of Howard, who carries on his worthless vendettas
because, after all, he's got four hours a day to kill.
(I notice that E! conspicuously excises nearly all
references to Howard's feuds from its half-hour condensed
version of his radio show.)
Unfortunately, I can't think of a cure for gooberheads
like Janks that isn't worse than the irritations they cause.
(Other than, of course, better call screening: the Rosie
staff did have Janks's phone number, and one wonders why
a red flag didn't go up when he gave it, since the area
code was for New Jersey, not downtown Philadelphia.)
The best that can be hoped for, perhaps, is a public
outpouring of support and sympathy for Stern's victims,
like the kind that enveloped Rosie immediately after taping
on Tuesday's show ended. As she reported the next day
on her broadcast, the waiter at the restaurant where she
took her family that night informed her that dinner was
on him, and a New York sanitation worker named Vinny stopped
his truck and yelled at her, "Hey, Rosie! Yo' beautiful!"
Not to mention the hundreds of calls and telegrams that
flooded in during the day, according to Rosie publicist
Marc Liepis. All of which established that, in the public's
eye at least, Rosie O'Donnell is not a fat pig, just as
Howard Stern is not fat.
Entire contents Copyright © 1996 by Aaron Barnhart. All rights reserved.
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